{"id":1587,"date":"2023-07-29T20:39:40","date_gmt":"2023-07-29T20:39:40","guid":{"rendered":"https:\/\/fruitinthedesert.com\/NewFruits\/?page_id=1587"},"modified":"2023-07-29T20:53:51","modified_gmt":"2023-07-29T20:53:51","slug":"dreamin-wild-for-a-time-such-as-this","status":"publish","type":"page","link":"https:\/\/fruitinthedesert.com\/NewFruits\/dreamin-wild-for-a-time-such-as-this\/","title":{"rendered":"&#8216;Dreamin&#8217; Wild&#8217; \u2014 For a Time Such as This"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><strong>By Diane Howard, Ph.D.<\/strong><\/h4>\n\n\n\n<p><strong><em>Dreamin\u2019 Wild<\/em> <\/strong>(<strong>Roadside Attractions<\/strong>) is a new movie that is especially needed today. It questions whether projects or people are more important. It is authentic and honest but engaging. It is a wonderfully inspirational movie based on a true story of love and redemption in an extended family. This PG-rated movie has no salacious or gratuitous elements. It is suitable for teens through older adults.<\/p>\n\n\n\n<p>The story follows what happened when the music of singer\/songwriter Donnie Emerson and his brother, which they recorded as teens, was rediscovered after thirty years of obscurity, and suddenly hailed by music critics as a lost masterpiece. While the album\u2019s rediscovery brings hopes of second chances, it also brings to the surface long-buried, unresolved issues and emotions as Donnie, his wife Nancy, brother Joe, and father Don Sr. come to terms with the past and their newly found fame.<\/p>\n\n\n\n<p>Written and directed by Academy Award\u00ae and Emmy\u00ae -nominated <strong>Bill Pohlad<\/strong> and featuring original music by <strong>Donnie Emerson<\/strong>, the film stars Academy Award\u00ae Winner <strong>Casey Affleck<\/strong>, Emmy\u00ae -nominated <strong>Zooey Deschanel<\/strong>, Emmy\u00ae -nominated <strong>Walton Goggins<\/strong>, <strong>Chris Messina<\/strong>, J<strong>ack Dylan Grazer<\/strong> and Emmy\u00ae and Grammy Award\u00ae -winning <strong>Beau Bridges<\/strong>. The acting is very good in this heart-felt movie, especially that of Casey Affleck as the primary character.<\/p>\n\n\n\n<p>Donnie and Joe Emerson, musician brothers from Fruitland, Washington recorded a soulful, bluesy rock album in their teens. Although they had talent and unwavering support from their father, Don, Sr., their creative endeavor never took off \u2014 until over 30 years later, when their music was rediscovered and embraced by collectors and fans, many who considered it a masterpiece. What followed was the resurgence of a dream that had long ago been put to rest: a record deal, album release, and a family\u2019s faith and perseverance rewarded.<\/p>\n\n\n\n<p>At its core, <em>Dreamin\u2019 Wild<\/em> is a layered story of love and redemption, told through the journey of the Emerson family. Donnie Emerson\u2019s story is one of loyalty, second chances, and the possibility of dreams coming true. But it\u2019s also about pain, regret, and the complications that the same dreams may bring.<\/p>\n\n\n\n<p>Writer-director Bill Pohlad made his directorial debut with the award-winning feature <em><strong>Love &amp; Mercy<\/strong><\/em>, a masterful character study of The Beach Boys\u2019 Brian Wilson. Pohlad is also an accomplished producer of films such as <em><strong>The Tree of Life<\/strong><\/em>.<\/p>\n\n\n\n<p>\u201c(<em>Dreamin\u2019 Wild<\/em>) explores faith and family, guilt and responsibility. Ultimately, it\u2019s about healing, and we need that in our world more than ever right now. That\u2019s why I was captivated by this story,\u201d stated Pohlad. \u201cI see this as a film about the fragile relationships between fathers and sons, between brothers, and about the highs and lows of pursuing any dream,\u201d said the film\u2019s star, Casey Affleck. \u201cIt\u2019s also a biopic, but not in the traditional \u2018This happened then this happened\u2026\u2019 sense, as this film is more focused on a crucial moment in the near-present, with scenes from the past haunting the film in the same way they haunt the characters. \u201c<\/p>\n\n\n\n<p>A music aficionado, Pohlad was instantly transfixed by the Emersons\u2019 sound. \u201cThe heart of the movie is the music,\u201d he noted. \u201c\u2018Baby\u2019\u201d \u2013 their biggest hit to date \u2013 \u201cwas on a loop in my head while I was writing, and that song\u2019s soulfulness and raw passion permeates the movie.\u201d He continued, \u201cThere is a sense of magic running through this story. You can hear it echoing through \u2018Baby.\u2019 And you will feel it throughout <em>Dreamin\u2019 Wild<\/em>.\u201d<\/p>\n\n\n\n<p>Academy Award-winning producer <strong>Jim Burke<\/strong> first brought the Emerson brothers\u2019 story to Pohlad and <strong>Christa Zofcin Workman<\/strong>, Executive Producer and Co-President of <strong>River Road<\/strong>.<\/p>\n\n\n\n<p>I had a thoughtful discussion with Donnie Emerson and Nancy Emerson, and with Bill Pohlad. Bill said that when he met Donnie Emerson and his family it was their intriguing and dynamic relationships that made him want to make this movie. Donnie said that he values all meetings, connections, relationships because God is in control and brings them about. \u00a0Nancy told of the unique bond that he and his brother, Joe, have, which is depicted in this movie. Nancy said that we need to cherish each moment with other people and the connections that develop. Donnie and Nancy talked about how relationships need to be honest and simple. She talked about praying for people that the Lord brings into their lives.<\/p>\n\n\n\n<p>\u201cThe distinctive qualities of this family were palpable and rose to the forefront,\u201d Workman said. \u201c\u2018Baby\u2019 is one of those songs where you think you have heard it before, but you&#8217;re not quite sure, it just feels like it&#8217;s been around forever. And it was intriguing enough to convince me to go up to Spokane and visit Donnie,\u201d Pohlad added. \u201cI can go on and on about their relationship, which is amazing and heartfelt,\u201d he continued. \u201cDriving home\u2026 I&#8217;m sitting next to Donnie and he starts talking, gets more emotional. And eventually, he starts crying as he&#8217;s relating some of his history. I&#8217;ve just known this guy for a few hours, and suddenly he was pouring his heart out to me. I was hooked.\u201d<\/p>\n\n\n\n<p>Pohlad had not intended to write the script, but after spending time with Donnie, he felt compelled to tell his story personally. \u201cWhat struck me was the parents&#8217; unconditional love, Joe\u2019s love for his brother, and the heartbreak in Joe\u2019s letting go of the dream of making music with his brother so that Donnie could succeed,\u201d added Workman, \u201c(as well as) the artist\u2019s journey and conflict in late discovery, manifested guilt, and the complexity surrounding the bittersweet acclaim that came 30 years later in life after Donnie&#8217;s music and talent had transformed him into a completely different person. There is so much more \u2014 the nuances and layers in this story go deep, and I believe will resonate with all of us.\u201d<\/p>\n\n\n\n<p>In 2020, industry vet <strong>Kim Roth<\/strong> joined River Road as co-president with Workman. She remembers being on set in New Orleans when Pohlad sent the script he had written. She hadn\u2019t heard of the Emersons, but she was immediately hooked. \u201cThe unlikeliness of rural farmers in Washington recording an album with this kind of soulfulness \u2014 it was bluesy and groovy \u2014 it was hard to imagine two teenagers from that part of the world had made that sound with no kind of musical experience. That it just emanated from them was pretty extraordinary,\u201d she said. \u201cAnd of course, the story of these parents believing in their kids in this way to follow their dreams\u2026 It&#8217;s pretty remarkable.\u201d<\/p>\n\n\n\n<p><em>Dreamin\u2019 Wild<\/em> has caught the highs and lows of the American Dream. Don Sr. (Beau Bridges) believed in his sons so fiercely that he gave up hundreds of acres of family farmland to build them a recording studio. As he says in the film, it was not a risk, but an investment in his sons\u2019 talents, a leap of faith and love. While the Emerson brothers\u2019 journey may be unique to their family, it\u2019s also relatable to the struggles that many endure in pursuit of their passions.<\/p>\n\n\n\n<p>Although Pohlad was initially captivated by \u201cBaby,\u201d the writer-director was fascinated by teenage Donnie\u2019s struggles ultimately giving rise to the kind of success and notoriety the music deserved. However, there was an emotional undercurrent of the story from the complex character study of Donnie and the family drama. \u201cI can certainly relate to those feelings, so I sympathize with that. But (Donnie\u2019s) sensitivity and the emotion, certainly all the stories that he told me over the years about different aspects of his life, I feel a connection with them,\u201d Pohlad explained. \u201cIf there wasn&#8217;t that, there probably wouldn&#8217;t be a movie.\u201d<\/p>\n\n\n\n<p>Casting the Emersons was similar to the approach he used in his award-winning directorial debut <em>Love &amp; Mercy.<\/em> Pohlad used two sets of actors to portray the characters in different time periods, with Casey Affleck playing the older Donnie Emerson and <strong>Noah Jupe<\/strong> playing the younger. Walton Goggins and Jack Dylan Grazer take on Donnie\u2019s brother Joe, while Beau Bridges does double duty, playing the family patriarch in both timelines. Zooey Deschanel plays Donnie\u2019s wife Nancy. As Donnie, Affleck plays a complicated, dedicated man who never gave up on his childhood dream of being a musician.<\/p>\n\n\n\n<p>\u201cDonnie was a musical prodigy lost to history, and circumstance,\u201d said Affleck. \u201cHe created what was considered in music circles a seminal album while he was a teenager, then carried for many years the disappointment of its perceived failure, and also the weight of the sacrifices his family made in order for him to pursue that dream. That tension \u2014 of how Donnie&#8217;s work finally getting its due brings on entirely new fears of failing again \u2013 felt like a very worthy story to tell. I&#8217;m honored that I got the opportunity to be a part of it.\u201d<\/p>\n\n\n\n<p>Pohlad wanted to anchor the film with Affleck, known for his intensity and ability to dig deep into the emotionality of a role. Roth had worked with Affleck on <em><strong>Tower Heis<\/strong>t<\/em> and maintained a close relationship with the actor. \u201cHe was the kind of guy who could channel Donnie&#8217;s brand of quirkiness,\u201d said Pohlad. \u201cWhen you first meet him, you can see that there are different sides of him and he can kind of drop off into a dream world. You could really believe him when he was performing.\u201d<\/p>\n\n\n\n<p>This is a richly honest, authentic, and heartfelt movie with beautiful themes. A primary theme is that relationships in process, especially family ones, are more important than projects, productions, or outcomes. In adulthood, Donnie has settled for playing at weddings and working as a \u201cband for hire\u201d with his wife. He values meeting, connecting with others and sees moments with them as divinely appointed. He and his family have priorities that we all need.\u00a0<\/p>\n\n\n\n<p><em>Diane Howard, Ph.D. is a dialogue, dialect and voice-over coach, as well as a journalist who writes about the role of faith in movies and in the entertainment field. Her website is <a href=\"http:\/\/dianehoward.com\"><strong>dianehoward.com<\/strong><\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Diane Howard, Ph.D. Dreamin\u2019 Wild (Roadside Attractions) is a new movie that is especially needed today. It questions whether projects or people are more important. It is authentic and honest but engaging. It is a wonderfully inspirational movie based on a true story of love and redemption in an extended family. This PG-rated movie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1587","page","type-page","status-publish","czr-hentry"],"_links":{"self":[{"href":"https:\/\/fruitinthedesert.com\/NewFruits\/wp-json\/wp\/v2\/pages\/1587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fruitinthedesert.com\/NewFruits\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fruitinthedesert.com\/NewFruits\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fruitinthedesert.com\/NewFruits\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fruitinthedesert.com\/NewFruits\/wp-json\/wp\/v2\/comments?post=1587"}],"version-history":[{"count":7,"href":"https:\/\/fruitinthedesert.com\/NewFruits\/wp-json\/wp\/v2\/pages\/1587\/revisions"}],"predecessor-version":[{"id":1614,"href":"https:\/\/fruitinthedesert.com\/NewFruits\/wp-json\/wp\/v2\/pages\/1587\/revisions\/1614"}],"wp:attachment":[{"href":"https:\/\/fruitinthedesert.com\/NewFruits\/wp-json\/wp\/v2\/media?parent=1587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}